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The Pianist: The Extraordinary True Story of One Man's Survival in Warsaw, 1939-1945
PDF Ebook The Pianist: The Extraordinary True Story of One Man's Survival in Warsaw, 1939-1945
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Review
“Stunning.” —The Wall Street Journal“Remarkable...a document of lasting historical and human value.” —Los Angeles Times“Historically indispensable.” —The Washington Post Book World“The Pianist is a great book.”—The Boston Globe
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About the Author
Wladyslaw Szpilman was born in 1911. He studied the piano at the Warsaw Conservatory and at the Academy of Arts in Berlin. From 1945 to 1963, he was Director of Music at Polish Radio, and he also pursued a career as a concert pianist and composer for many years. He lives in Warsaw.
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Product details
Series: Recent Picador Highlights
Paperback: 224 pages
Publisher: Picador; 1st edition (December 20, 2002)
Language: English
ISBN-10: 9780312311353
ISBN-13: 978-0312311353
ASIN: 0312311354
Product Dimensions:
4.9 x 0.6 x 8.8 inches
Shipping Weight: 5.6 ounces (View shipping rates and policies)
Average Customer Review:
4.7 out of 5 stars
324 customer reviews
Amazon Best Sellers Rank:
#2,440,058 in Books (See Top 100 in Books)
I'll start off by saying that this book was so intriguing, and emotional, and intense. Anyone who is able to think back to their experience during a rough time, like World War 2, and relive that by writing in down is very brave, and by doing this, provides insight as to what humanity is capable of. This book not only reveals the dark side of humanity (war soldiers and leaders who destroy cities and lives), but also a brighter side (shown in all the people who showed Szpilman kindness during his journey). Szpilman did a fantastic job of going in depth, and revealing what lives were like during the war, which was most likely his reason for writing it. Every chapter provided new knowledge to the reader, and the book was interesting throughout every single page. Szpilman did a great job of describing all of the people and places in the book, which made the story seem even more real.I would definitely recommend this book to anyone interested in anything dealing with global conflict in the 20th century. I've read several memoirs about WW2, and this one was one of my favorites. Szpilman really makes you stop and consider how lucky you are, being able to live without fearing for your life every day. It also makes you evaluate how much the war changed things- not politically or economically, but how it altered the lives of everyday people. I also found the Extracts from the Diary of Captain Wilm Hosenfield, and the epilogue written by Wolf Biermann to be really interesting, and add even more insight to the war, from different perspectives. Overall, I loved the book. I have no complaints, and would recommend it to almost anybody.
A fan of the movie, I had to grab this ebook when I saw it was on sale for $1.99. While the movie is excellent, as usual, the book is even better. It was difficult to read, but hard to put down. The subject matter is intense, but necessary. Much of the book covers Szpilman's life in the Warsaw ghetto. We see what life was like living trapped inside the ghetto, with freedoms slowly being stripped away and the Jewish population becoming increasingly nervous at the uncertainties that lie ahead.Szpilman finds himself alone and fighting for his life by hiding in various places in Warsaw, often in dangerously close approximation to the Nazi militia. What I find so compelling is the fact that, instead of being bitter and crying out against those who killed most everyone he knew and loved, Szpilman pays tribute to the German officer who discovered his hiding place, and, instead of killing him on the spot, coaxed Szpilman from the brink of death by bringing him food and a warm coat, as well as news of the German Nazi's impending fall from power.Such a powerful story! If you enjoyed the film, you'll enjoy the book.
I've read many books about the Holocaust and living conditions during World War II, but this one is something different. While it is an actual account of one man's experience in the Warsaw ghettos and hiding from the Germans, it is written in a way that flows, is easy to read, and is captivating as you learn how brutal and dangerous life was during the war. The author had an uncanny knack for survival despite the horrors surrounding him. It's a heart wrenching read to know this is a true life story, written to document the experience and not to embellish the events for dramatic effect. It's amazing to me that survived and shared his story with us.
The Pianist: The Extraordinary True Story of One Man’s Survival in Warsaw 1939-1945“Until The Pianist, I have never read a piece so moving that I had to bring it to the screen,†declared the award-winning movie director Roman Polanski, himself a survivor of the Krakow Jewish Ghetto, from which he escaped as a child after his mother’s death.The story Polanski would make into an unforgettable film in 2002 is the war journal of the world-class pianist Wladyslaw Szpilman and his incredible tale of survival (The Pianist, Wladyslaw Szpilman, New York: Picador Press, 1999). Szpilman lived through the Nazi occupation of Poland between 1939-1945. His life was constantly in peril, and doubly so: both as a Jew and as a Pole. His family was rounded up in the Warsaw Ghetto and was liquidated along with its nearly half a million Jewish inhabitants, who were shot, died of disease or starvation, or were sent to concentration camps. (For more on this subject, see my earlier article on the Warsaw Ghetto, “Heroism in Hellâ€): http://literaturadeazi.ro/content/heroism-hell-resistance-warsaw-ghetto-uprising-israel-gutman)Time after time Wladyslaw’s intuition, luck, connections and resilience save him from a near-certain death. Although his brother, sisters and parents perished in the Treblinka death camp, the young man manages to survive thanks to the last-minute intervention from a friend who works for the Jewish Ghetto Police, who helps him right as he’s about to board the cattle train to the concentration camp. To evade death yet again, Wladyslaw gets a work permit and becomes a slave laborer, along with the 50,000 working Jews (and their families) left in the Warsaw Ghetto, who, for a few more weeks or months, were still deemed “useful†by the Nazis.Later the young man becomes involved in the Jewish resistance movement in the ghetto, made up mostly of very courageous young men, who would rather die fighting than let the Nazis “slaughter them like sheepâ€. Right before the Nazis stomp out the rebellion, killing almost every last Jew and burning the ghetto to the ground, Wladyslaw yet again manages to miraculously escape by hiding with two Polish friends, the married couple Andrez and Janina Bogucki. Once their neighbor discovers him there, however, he is obliged to flee into an empty room with a piano, where he tries to recover from jaundice and malnutrition. When in the midst of the Polish resistance his apartment hit by bombs, he escapes from place to place in the stark and empty shell left of what was once the beautiful and prosperous city of Warsaw.Just as he believes he has cheated death and found a safer building that hadn’t yet been destroyed, Wladyslaw runs into an elegant German officer. Had this man been a typical SS officer this would have meant certain death for the Jewish Pole. But in a twist of fate that seems to be the stuff fiction is made of, it so happens that this particular German officer, Wilm Hosenfeld, is a rare breed: a refined, humane man who hates the Nazi totalitarian regime and what it has done to Germany, to the Jewish people, and to the rest of the world. Wilm also adores classical music. Once he finds out that Wladyslaw is a musician, he asks him to play something on the grand piano. Szpilman chooses Chopin’s Ballade in G Minor. When he hears this beautiful music, the German officer is not only convinced of Wladyslaw’s talent, he’s also deeply moved by it. He returns several times to give the starving young man much-needed food provisions, without which he no doubt would have died. Germans have almost lost the war by the time of this fortuitous meeting between the German officer and the Polish Jew. In gratitude, Wladyslaw tells him his name, in case he’s ever taken prisoner by the Poles or Russians and will need his help someday. In a twist of fate--and strange role reversal—when captured by the Red Army Wilm Hosenfeld mentions Szpilman’s name to save his own life. Unfortunately, by the time the Wladyslaw learns of this fact, it’s too late. The Soviet prisoner of war camp had already been abandoned.The most memorable aspects of The Pianist, for me, are its beautiful writing—this journal reads like a great novel—and its nuanced descriptions of life in the Warsaw Ghetto: the overcrowded and increasingly desperate, deplorable conditions, where “Half a million people had to find somewhere to lay their heads in an already over-populated part of the city, which scarcely had room for more than a hundred thousand†(59). Class hierarchies may have saved the richer inmates from the worst conditions for a while, but eventually almost everyone meets their death. Even the children of the orphanage are doomed. They go to their deaths with dignity, sheltered by their beloved leader, Janusz Korczak, from knowledge of their tragic fate:“The evacuation of the Jewish orphanage run by Janusz Korczak had been ordered that morning. The children were to have been taken away alone. He had the chance to save himself, and it was only with difficulty that he persuaded the Germans to take him too. He had spent long years of his life with children, and now, on this last journey, he would not leave them alone. He wanted to ease things for them. He told the orphans they were going out into the country, so they ought to be cheerful. At last they would be able to exchange the horrible, suffocating city walls for meadows of flowers, streams where they could bathe, woods full of berries and mushrooms. He told them to wear their best clothes, and so they came out into the yard, two by two nicely dressed and in a happy mood. The little column was led by an SS man who loved children, as Germans do, even those he was about to see on their way into the next world†(95-96).Claudia Moscovici, Literature Salon
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