Sunday, April 28, 2013

Ebook Everything Bad is Good for You: How Today's Popular Culture is Actually Making Us Smarter, by Steven Johnson

Ebook Everything Bad is Good for You: How Today's Popular Culture is Actually Making Us Smarter, by Steven Johnson

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Everything Bad is Good for You: How Today's Popular Culture is Actually Making Us Smarter, by Steven Johnson

Everything Bad is Good for You: How Today's Popular Culture is Actually Making Us Smarter, by Steven Johnson


Everything Bad is Good for You: How Today's Popular Culture is Actually Making Us Smarter, by Steven Johnson


Ebook Everything Bad is Good for You: How Today's Popular Culture is Actually Making Us Smarter, by Steven Johnson

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Everything Bad is Good for You: How Today's Popular Culture is Actually Making Us Smarter, by Steven Johnson

Review

"Revelatory...Daring...Finally, an intellectual who doesn’t think we’re headed down the toilet!" –Washington Post Book World "Persuasive...The old dogs won’t be able to rest as easily once they’ve read Everything Bad is Good for You, Steven Johnson’s elegant polemic.... It’s almost impossible not to agree with him."—Walter Kirn, The New York Times Book Review"A thought-provoking argument that today's allegedly vacuous media are, well, thought provoking...A brisk, witty read, well versed in the history of literature and bolstered with research...Johnson, it turns out, still knows the value of reading a book. And this one is indispensable." —Time"There is a pleasing eclecticism to [Johnson’s] thinking. He is as happy analyzing Finding Nemo as he is dissecting the intricacies of a piece of software ... Johnson wants to understand popular culture…in the very practical sense of wondering what watching something like The Dukes of Hazzard does to the way our minds work." —Malcolm Gladwell, The New Yorker"The author Newsweek called one of the most influential people in cyberspace...is back. The beauty of Johnson’s latest work — beyond its engaging, accessible prose — is that anyone with even a glancing familiarity with pop culture will come to the book ready to challenge his premise. Everything Bad Is Good for You anticipates and refutes nearly every likely claim, building a convincing case that media have become more complex and thus make our minds work harder." —Cleveland Plain Dealer"Through a string of airtight, academic and very entertaining essays, Johnson maintains that prime-time TV is more intellectually engaging than ever." —Time Out New York"Sophisticated...nimble...strangely satisfying." —Newsday"Johnson’s challenge to the oft-repeated lament that mass culture is dumbing down is as enlightening as it is necessary." –BookForum"Johnson may be the first mainstream writer to bring neuroscientific inquiry to 'The Apprentice'...It’s scientific and literary rigor, couch-potato style." –Chicago Tribune"Johnson paints a convincing and literate portrait, and he shows himself to be a master of many disciplines, which deepens the well of his credibility." –San Francisco Chronicle"Engaging...Intriguing...Breezy and funny... Johnson is a forceful writer, and he makes a good case; his book is an elegant work of argumentation." —Salon.com

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About the Author

Steven Johnson is the bestselling author of eleven books, including Where Good Ideas Come From, Wonderland, and The Ghost Map. He's the host and co-creator of the Emmy-winning PBS/BBC series How We Got To Now, and the host of the podcast American Innovations. He lives in Brooklyn and Marin County, California with his wife and three sons.

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Product details

Paperback: 254 pages

Publisher: Riverhead Books; Reprint edition (May 2, 2006)

Language: English

ISBN-10: 1594481946

ISBN-13: 978-1594481949

Product Dimensions:

5.2 x 0.7 x 8 inches

Shipping Weight: 7.2 ounces (View shipping rates and policies)

Average Customer Review:

3.8 out of 5 stars

146 customer reviews

Amazon Best Sellers Rank:

#145,152 in Books (See Top 100 in Books)

I like the new perspective on habits we think we know. It's not a definitive argument against normative responses to things like playing video games, but it does point out how complex these behaviors are, and the potential benefits we gain, in addition to the drawbacks.

The writer's style feels like a a conversation, where he tells about his ideas and some supportive research made by other persons. The lack of references in the text is compensated by a last chapter with comments about hte origin of the data he used to support his claims.This informal text is what makes the book an easy and enjoyable reading. However, as a scientific result, the book is not completely sound, since his conclusions are based only on what he think is happening and the supportive that is not necessarily correlated with his findings.Parents, researchers and educators will find the book provocative. Actually, it defends that beyond content, form is also important, and maybe more important when we are talking about the new media (basically TV and games).As a general reader, it is a very good book. As a position book, it really makes the author's point of view. However, scientific oriented readers will feel something is missing.

The author made a pretty good case that some pop culture is not bad, but he does not make a strong argument it is good. I didn't read the notes section but I felt that there was a lack of supporting data in the main text for many of his statements and arguments (though he mentions a few times that "studies should be done"). He dismisses counter arguments with a few sentences: Yes, test scores in academic subjects are down, but problem solving ability is up! Yes, the content may be violent, but problem solving ability is up! I wonder just how this problem solving ability is being applied to non-entertainment situations, if at all. Does it translate into anything that leads to "good"? The book is really about video games - the other topics, TV, movies, etc. seem like padding.

This book has a great concept behind it: the idea that all our modern pop culture isn't destroying our minds, but rather making us smarter and teaching us problem solving and social skills.I found it to be pretty good, although not fantastic. The early parts in which Johnson describes his childhood experiences with baseball games and D&D closely mirrored my own, and I found myself pleasantly reminiscing about those days. I had no real disagreements with any of the arguments he put forth, and overall this book was a well-written and fun read.However, I was a little disappointed by the depth of it. Johnson goes through modern video gaming and reality TV, and although it's all interesting stuff, I started to feel that he spent a lot of his time repeating myself. That is, he gave examples of the same ideas over and over. While all the examples were effective, it became a tad redundant, and by the end, I was wishing that the book was just denser and deeper, a heavier exploration. Of course, with this subject matter, perhaps it is self-limiting with regards to depth.It is a good book, but there's just not enough to it to be totally satisfying. This would've probably been better a large essay in a compilation of futurist and modern thought papers. Still, it is a worthwhile read.

This books starts out on rather slippery footing, but gains a foothold in the subject quickly. Quite a bit of time is spent on the topics of modern television and video games, but that is perhaps because those two things occupy so much of our daily lives nowadays.Johnson raises several salient points. I'm not yet sure how much of it I agree with, as some of the generalizations don't fit in my own household. But all in all, an interesting read, and doesn't take very long to get through.If you're looking for some arguments to get your mom to stop picking on you for playing so much X-Box, this book is for you.

Perfect.

This is a great book, especially to all of those who think that TV, videogames and other media create "brain damage". Johnson demonstrates the virtues of our pop culture, that is actually making us smarter in certain areas.As a high school teacher, it's demonstrated the importance of the popular media consumed by our modern adolescents and given me a lot of ideas to be able to use the modern mass media in my classroom, and the importance of it's use.If you think pop culture is damaging our "classic" culture, line Postman (Amusing us to death) or Sartori (Homo videns), read this book.

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Monday, April 1, 2013

Ebook Download The Complete Idiot's Guide to Getting Published, 5E

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The Complete Idiot's Guide to Getting Published, 5E

The Complete Idiot's Guide to Getting Published, 5E


The Complete Idiot's Guide to Getting Published, 5E


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The Complete Idiot's Guide to Getting Published, 5E

About the Author

Sheree Bykofsky, the founder and owner of the Sheree Bykofsky Literary Agency, has written and represented hundreds of successful titles over her long publishing career. She regularly teaches university courses on publishing and speaks at writers’ conferences across the country.Jennifer Basye Sander has been an author and book packager for nearly 20 years. Her career has spanned all aspects of the business, from retail sales and book acquisition to editorial and publicity. She and her husband founded the Big City Books Group, which develops book projects and has over 40 successful books in print.

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Product details

Series: Complete Idiot's Guide to

Paperback: 400 pages

Publisher: Alpha; Original edition (November 1, 2011)

Language: English

ISBN-10: 9781615641277

ISBN-13: 978-1615641277

ASIN: 1615641270

Product Dimensions:

7.4 x 0.8 x 9.1 inches

Shipping Weight: 1.3 pounds (View shipping rates and policies)

Average Customer Review:

4.2 out of 5 stars

89 customer reviews

Amazon Best Sellers Rank:

#601,741 in Books (See Top 100 in Books)

I bought five books to help me write a book proposal:"How to Write a Book Proposal, 3rd edition," by Michael Larsen"78 Reasons Why Your Book May Never Be Published & 14 Reasons Why It Just Might," by Pat Walsh"The Forest for the Trees," by Betsy Lerner"The Complete Idiot's Guide to Getting Published, 4th edition," by Sheree Bykofsky and Jennifer Basye Sander"Think Like Your Editor," by Susan Rabiner and Alfred FortunadoThe worst was "How to Write a Book Proposal." This book felt like a bad date, like I wanted to wash my hair after reading it. The intent is to teach you to be an "Authorpreneur (r)." Yes, Larsen has registered this word. You'll learn such gems as everyone has 250 friends, and each of them has 250 friends, so you can "spread the word" about your book to more than 62,000 people by e-mail. I think there's a word for that -- spam. Larsen also says to include your promotion plan in the book proposal, including pushing "the paperback edition as hard as you can" when it's published a year after the hardcover edition. I'm not an agent or editor, but I'd think that an agent would giggle quietly to themselves if you were so presumptuous as to include a marketing plan for the paperback edition. (To the author's credit, he doesn't say you should suggest which actor should play the main character in the movie version of your book.) Then there's the chapter about including illustrations and cover art. Excuse me, I thought the editor and art director develop the cover art? I can't imagine creating the book cover to include in the proposal. And the author recommends including a "surprise," such as a baby shoe with a note saying "Now that I have a foot in the door." The book has one good piece of advice: pick a good title. For example, "How to Write a Book Proposal" is a title that will make 100,000 aspiring writers buy your book, regardless of how awful the book is."78 Reasons" was good. Some sections are wrong, such as #38 and #39, which correctly advises against paying for a vanity press to publish your book but confuses this with self-publishing. I've successfully self-published two books, and unsuccessfully self-published one book. The correct answer is that if you have a niche book in a niche market you know well, self-publish. Self-publishing mass market books is a recipe for disaster. Some of the advice is excellent, such as #16, about "killing your little darlings" (a scene you think is brilliant, that you build the rest of the book around). While most of this book is sound advice to a novice writer, as an experienced writer I didn't learn anything new."The Complete Idiot's Guide" covers the entire process from thinking of an idea through book proposals, book contracts, publicity tours, etc. It's a good overview but each chapter is too short. You'll need to buy another book about book proposals, etc. I'm keeping my copy as a reference to turn to occasionally but it's not the last word."The Forest for the Trees" starts with six essays about writing, with topics such as alcoholism, self-promoting poets (starting with Walt Whitman), the childhood of famous writers, writers who are too successful too young, etc. These are interesting reading. The second half of the book is essays about publishing, starting with literary agents. One paragraph describes the plethora of surprise gifts writers include with their query letters. She's received baby shoes, presumably from readers of Larsen's book. She says: "Please resist the temptation to do any of these outlandish things...a simple, dignified letter with a clear statement of your intent and credentials will win more affirmative responses than any gimmick or hype." If you read Larsen's book, read Lerner's book as the antidote. The next essays are about dealing with rejection, the life of editors, what writers want from editors, how book covers are designed, book titles selected, etc. This book is descriptive, not proscriptive, so you'll learn how the world of books operates, if not be told how to write a book and get it published. I enjoyed the author's "voice" and I recommend this book.The best book is "Thinking Like Your Editor." The first half of the book is about preparing your book proposal. Unlike the other four books, reading this book made me completely rewrite my book proposal. The author begins by emphasizing the three most important things about a book: audience, audience, and audience. Who is going to buy your book? Not who might be sort of interested in your book, but who will feel that he or she must read your book. I'd thought about this before, but reading Rabiner's book made me think lucidly about this. She then walks you through the elements that must be in a book proposal, such as your thesis, or what makes your message unique and new and challenging; why is now the time to publish this book; and why are you the person most qualified to write it. The second half of the book is about writing your book, including the importance of narrative tension in non-fiction writing, and of presenting a balanced "argument" to make your views more convincing. The other four books made me say, "uh-huh, uh-huh" and not do anything. Rabiner's book made me spend several days working on my proposal. (My 2003 paperback copy has the typos corrected.)

I have bought and read several books on publishing in the last year, and this is the one I liked the best, by far.The authors have a mountain of writing and publishing experience between them. They write in a fun, easy to read style. The book is entertaining while still managing to be packed full of useful information. They give detailed descriptions of every step involved in publishing. The instructions are easy to follow and extremely helpful. This book breaks everything down and makes it seem very managable. This was helpful, in my opinion, because the process of seeking publication was far more intimidating to me than actually writing the book itself.The fifth edition of this book came out a few weeks after I bought the fourth edition - I liked it so well that I went ahead and bought the fifth edition too. The fifth edition is great - it adds more information about email and online submssions, ebooks, and all of the most recent changes in technology and publishing. It was well worth the purchase price of the duplicate copy.This book is outstanding in every way.

If you're writing non-fiction, this book will probably be very helpful. But if you're interested in publishing a novel, you'll probably be left wanting. This is not to say the authors don't cover publishing fiction, just that it's neither their expertise nor their focus. It's like a restaurant meal where the mashed potatoes were great, but the meat just wasn't very flavorful - it's just not satisfying.The authors, both who've worked as editors, one who seems to have published a number of books on miscellaneous and sundry topics and the other who has worked as an agent, give lots of good advice on how the publishing business works and who the various people are that you might deal with. They tell you what it's like to be an editor and how you should treat them, and ways to improve your chances of being published. They suggest methods for doing market research and coming up with topics that might fill a book. Also covered are the benefits of using an agent and ways to publicize your book. They even include a CD in the latest edition with sample proposals and query letters which follow the generally accepted formats in the business.And yes, they try to work fiction and its nuances into the text, but it almost always feels like an afterthought and often seems a bit confusing. Most of the examples given apply mainly to non-fiction, such as establishing yourself as an expert in your field beforehand by giving interviews or writing for your local paper. At first it wasn't that big of a deal, but by the end of the book I felt pretty disappointed. There is some really helpful information here, but it's just not targeted at publishing fiction.

For some time I have had an insatiable desire to write, but did not know how to get into the market. Turns out, there are some definite protocol for contacting agents. Just calling them up doesn't work no matter how nice you are. Every time I buy a book I worry that it's not the best. Well, this is the first one I've read on publishing and a few things confirmed to me that I made a wise purchase. First, it was easily written so anyone could understand. I'm not an idiot but I knew absolutely nothing about the publishing process and I believe that now I could discuss it with just about anyone on an intelligent level. Second, it's an easy and very enjoyable read. I couldn't put it down as it is loaded with encouragement but also reality checks to get you going. Third, as I read independent articles on the publishing world the facts from the book were confirmed. If you're just getting started, this is a wonderfully comprehensive guide as it will get you published and it will even help you learn how to handle the business long thereafter.

It's okay. A little too much casual communications/chatting style of writing for me. The valuable and important info could be condensed to about 10% of the pages. Still, it's a helpful book.

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